Asia-Pacific, Development & Aid, Headlines, Human Rights, Press Freedom

SRI LANKA: Radio Play Poses New Questions About Journalist's Murder

Feizal Samath

COLOMBO, Dec 2 2008 (IPS) - A BBC documentary on Sri Lankan journalist and actor Richard de Zoysa poses fresh questions about his brutal murder, 19 years ago, by highlighting little-known facts about his links to a revolutionary group involved in two bloody insurgencies, but is now the country's third largest political force.

De Zoysa, forcibly taken away by a pro-government death squad on Feb.18, 1990 from his Colombo home, during a time when the government was cracking down on the People's Liberation Front (JVP) insurgents, was found dead on the beach the following day.

The BBC Radio drama documentary, titled 'The Last Time I Saw Richard,' was aired on Nov. 28 but has received little attention in Sri Lanka. "No I haven't heard it," said a human rights activist, in a country where most people watch local TV and listen to local radio.

The 60-minute play, based on interviews with those who knew and worked with the Sri Lankan journalist, provides details of De Zoysa 'on the run' from the armed forces because of his alleged links to majority-Sinhalese rebels, hiding in New Delhi, India.

It brings out a shocking incident where a perverted policeman rapes De Zoysa, a popular dramatist, actor and newsreader on state television.

"Richard was intelligent, handsome and articulate – and a homosexual in a country where homosexuality remains unlawful. His charisma lit up every room he entered. Intellectually and politically he was a humanitarian liberal, rigorous with his socialist beliefs but never partisan to any party ideology," says Roger Elsgood, producer of the play, in a statement.


Local actors and those who were interviewed for the play quoted the producers as saying the production is based on facts.

It also reveals De Zoysa's sexual identity more than what was commonly known in Sri Lanka. "You may be right, many who knew Richard very well and moved in his circles knew his sexual preferences, but not the public at large," said one of those interviewed on the show.

Pakiasothy Saravanamuttu, a well-known Sri Lankan political commentator and a cousin of De Zoysa, says that because there is a greater tolerance level and awareness in Sri Lanka about gays and lesbians now, this information may not shock the average citizen.

De Zoysa's body was found washed ashore on the Lunawa beach near Colombo. He had been shot in the head and his body had burn marks all over. A correspondent and editor for IPS in Colombo, he was preparing to take up an assignment with the news agency in Portugal at the time of his death.

The murder, which shocked Sri Lanka and the world and drew international condemnation, was a turning point in the bloody crackdown on the JVP rebels under which many young people were hunted down and killed on grounds of suspected links with the extreme left organisation.

According to human rights groups the death toll during 1987 to 1991 was estimated at between 40,000 to 60,000. Thousands were tortured. The tit for tat killings were marked by gruesome actions on both sides, hanging bodies from lampposts or beheadings (by pro-government forces) with the heads displayed on the roadside as a warning to the JVP, now a powerful political party in parliament and outside.

At one point in the play, De Zoysa (played by a local actor) is told by a young JVP activist: ‘’We have to persuade the students at the university to take on the government and death squads. Your family is well-known and influential. This [influence] will help."

In another part, De Zoysa, while typing a story on his typewriter, says: "If I get to Lisbon, I can get to tell the truth. If I stay here, everyone will know my face."

Saravanamuttu, executive director at the think-tank Centre for Policy Alternatives, agrees that the play could raise fresh questions and revive debates about De Zoysa's disappearance.

Sunanda Deshapriya, spokesman at the Free Media Movement (FMM), says while most journalists – at the time – were killed by JVP (because of their affiliations to the state), De Zoysa was murdered by the state. Apparently there were fears that his moving to IPS in Lisbon would expose a dossier on state-sponsored killings.

The government of then president Ranasinghe Premadasa denied involvement in the killing and blamed it on a private feud that may have been linked to a homosexual relationship. Premadasa was himself killed in 1993 by an LTTE suicide bomber during a May Day march in Colombo.

Deshapriya said the emergence of the FMM, Sri Lanka's biggest media defender, and the demand for the rights of the journalists came after De Zoysa's death because he came from an elitist and middle-class background and the killing shocked this society. "This was the turning point of the government's brutal crackdown," noted Saravamuttu.

Despite a proliferation of media rights groups emerging after the murder that and journalists getting bolder in agitating for their rights, the situation on the ground has not changed much . Some 20 killings of journalists or media workers have lost their lives over the past decade and their cases have gone unsolved.

President Mahinda Rajapakse, an avowed human rights campaigner at the time, was in the forefront of street protests against the killings by 'death squads'. He also defended many of the victims in court and raised the issue before the U.N. Human Rights Commission in Geneva, whereas now his government is being accused of the worst form of repression and harassment of journalists and political campaigners.

"The situation has in fact worsened now than in 1980-90,’’ says Deshapriya, adding that De Zoysa's killing created an impunity that still exists today. Four policemen charged with the De Zoysa murder were acquitted during a long-drawn trial which ended in November 2005 on the grounds of insufficient evidence.

Phrases like 'you are beautiful, darling', 'you are pretty boy' are used by De Zoysa's close friends while talking to him, as depicted in the play. At one point, one of those who fled to India with De Zoysa says, while the two are swimming in a pool in New Delhi, "Why are you leaving me, Richard, after two years in your bed. I am scared; if I go back I would be killed like Madura."

This scene has De Zoysa saying that he wants to return to Sri Lanka and that revolutions needed sacrifices.

In another scene, De Zoysa and his 'JVP' friends are bathing in the sea discussing politics. Policemen are seen coming towards him, prompting the others to run away and imploring De Zoysa to do the same.

"Having a swim, ah? I saw your indecent behaviour," the chief policeman says and shouts to other officers to pin him down and hold his legs. What follows are screams and sounds of groaning pain.

The play reveals that an offer was made to move De Zoysa to Belgium where he could have been given political asylum.

A friend of the murdered journalist said the play is valuable because it portrays the fear psychosis that prevailed at the time. "This fear was unimaginable. Young people would look over their shoulder in fear. They would talk in whispers, go home before dark and lock their doors," she said.

"The government decided that the best way to terrify the JVP was to slaughter young people and pile up their bodies,'' she said. ''The JVP wanted to terrify people and was also resorting to barbaric killings. Nobody wanted to control it.''

 
Republish | | Print |


lost remedies